Game of Thrones (Season 5)

Zach Goodier

We recently finished up another season of our favorite form of self-abuse: Game of Thrones. Some things happened, some character stories advanced forward, and lots of the bittersweet twists/death that we’ve come to expect. We also saw the show deviate even further from the source material, and by the end, many stories have gotten ahead. So did this season deliver, or is it a rare miss for the series? Some SPOILERS to follow, so skip to the last paragraph if you just want the summary.

The season opens with a neat flashback to Cersei's meeting with the Woods Witch.

Well, let’s start off with the new material. This season introduced us to Dorne, a region where violence and blood are as common as the sandy wastes it sits on. We meet the Sand Snakes, the illegitimate children of one of last year’s unfortunate losses, Prince Oberyn. Along with their mother, who was another of last year’s new additions, they want revenge for his death. Towards this end, they send a threat to the Lannisters, who are still reeling from the loss of Tywin. Jaime decides to go on a rescue mission to save princess Myrcella, who was sent to Dorne by Tyrion in the second season to improve relations with Dorne. With the threat of the Sand Snakes, and the hatred of Lannisters growing more and more, Jaime recruits Bronn in order to discretely sail south to save her. Jaime and Bronn make a great combo, and while some might not think of the Sand Snakes as a worthy addition, they have some good moments this season.

The Sand Snakes might not deliver too much this season, but events make me believe they'll be important down the road.

Cersei is struggling in King’s Landing as, with perceived rivals all around her, her paranoia kicks into high gear as she fears a prophecy made that predicts her family’s demise and her downfall at the hand of a woman younger and more beautiful than her. She sees Margery as this person, and tries to change her destiny by instating a new High Septon, Sparrow, who will not be bribed or corrupted, and Cersei tries to use him to get rid of the new Queen. Cersei’s plan succeeds, but all the while Sparrow has known of Cersei’s sins, and soon arrests her as well, leading to a satisfying fall for Cersei. 

These two work well together, too bad they don't stay together.

Meanwhile, Arya arrives in Bravos, and seeks out the House of Black and White to be trained to be a faceless man for the Many-Faced God. Her story takes a lot of twists and turns that follow the books in many places, and deviate in some others. Arya’s story feels very challenging and personal, and you finally feel like she’s developing on her own as a character.

As soon as I saw this I stopped breathing for the next 15 minutes.

Sansa’s story picks up as she is taken to the North, where she is married off to Ramsay Bolton in order to secure Bolton rule over the North, while Littlefinger wants to use Sansa as a means of garnering supporters. However, Sansa is soon in for far more than she bargained for, as Ramsay’s sadism soon reveals itself on their wedding night, and she sees a familiar face in “Reek,” who she remembers betrayed her brother, Robb. This is a great change from the books, as it kept things feeling fresh, and allowed both Sansa and Theon’s storylines to pick up quite a bit.

A meeting that might really change the world.

Dany is still struggling to rule Mareen, where things become more and more difficult as the city sits on the verge of rebellion. She is forced to bear the brunt of a world that is not so easily changed as she had once thought, and watching her idealism clash with reality is a conflict that carries over from last season, but still feels very relevant and interesting to watch. She eventually runs into Tyrion, who meets up with Jorah, who bring Tyrion back to try to win back Dany’s favor. The meeting between these two isn’t until later in the season, but it really allows these two characters to have a conversation that really brings to light the core of Dany’s real conflict throughout the series, which I just mentioned.

None of this kid in season 5, but there's enough other stuff going on to keep everyone busy.

On the wall, Jon Snow is struggling to be the new Lord Commander, and finds that, like Dany, his idealism meets with harsh reality, as he struggles to find a way to save the Wildlings so that they don’t become more meat for the armies of the White Walkers. Like last season, Jon’s story gets probably the best action sequence in the series, when he runs into trouble up at Hardhome in the late season. There, as he struggles to negotiate with the Wildlings, the White Walkers attack. The entire sequence came out amazing, and reminded us that winter is truly coming, and with it will likely come a threat that may very well be the end of all civilization in Westeros. Unfortunately, not all of the Night’s Watch sees the true threat, and the closing scene of the season shows Jon being betrayed by his “brothers” as they take turns stabbing him (F#$# Olly, by the way).

Looks like winter is coming in force now.

Overall, this season seemed to start out fairly slow, and verged on disappointing for the first few episodes; however, it really started to pick up around halfway through, with some of the best action sequences and character drama we’ve seen the entire series. The plot deviations might upset the book purists, but I liked that, having read the books, I really didn’t know anymore than those who hadn’t, since a lot of details in these storylines have been altered to keep things fresh. However, the lack of storylines like White Harbor or the Iron Islands are a major loss to the Stark and Greyjoy fans. This season really delivered in the twist department, with a brutal finale that still has people talking up a storm with speculation. This season also gave us a powerful reminder of who the real enemy is, and that winter is almost upon us.

Good:

- Storylines all feel like they moved ahead to new milestones and chapters.

- Hardhome gave us the best action sequence of the series, in my opinion.

- Deviations from the source material keep things fresh for everyone.

Bad:

- Bit of a sluggish start to the season.

- No White Harbor or Iron Islands stuff from the books for Stark and/or Greyjoy lovers.

Scully Rating: 9.0 out of 10

Avengers: Age of Ultron

Zach Goodier

The long wait is over, and a new Avengers film has come out. But now that the dramatic team-up has gone through the honeymoon stage, does this team have the endurance to keep it up?

The movie starts us in Eastern Europe, where the Avengers are attacking a Hydra base to recover Loki’s scepter from the first movie. In the midst of the fighting, two of Hydra’s enhanced humans, Quicksilver and Scarlet Witch, escape. After a brief engagement with the Avengers, they quickly disappear. Tony Stark manages to recover the scepter, and while the team celebrates for a few days before Thor returns the scepter to Asgard, Stark examines it. Long story short, Stark uses the crystal inside the scepter (an infinity stone) to help him complete his new artificial intelligence program, Ultron. Ultron’s mission is to protect the world; however, Ultron quickly turns on the Avengers, and starts working on plans of his own.

No strings on this guy.

The story is a really exciting retelling of the Ultron tale. It all fits very nicely, and ties in to a lot of what is transpiring within each of the movies in the Marvel universe. Ultron is a wonderful villain, and James Spader really brings him to life. Since Ultron’s personality is derived from Tony Stark, he has some entertaining lines throughout the movie. The Vision also appears in the 3^rd act, as a byproduct of Ultron’s plans. His role is relatively minor, but still significant, and it will likely lead to more important things down the line in the Infinity War.

These two make a great addition to the film. I had no idea what to expect, but I found them both to make excellent characters.

The action is great, with scenes like the Hulk vs Iron Man being standouts in this film. The Maximoff twins, Quicksilver and Scarlet Witch, both make for great additions to the cast, with interesting powers that make some great action scenes. Nick Fury also returns, which leads into some great sequences at the end when he joins the fight. But despite all that, a lot of the great scenes come from those little moments Joss Whedon creates. Like many of his other works, he has that talent for creating and/or capturing moments that might not be outwardly significant, but are the moments you remember long after the credits roll.

This. Armor. Rocks.

The special effects are as top-notch as ever, but I did not see it in 3D to know how that side came out, although I imagine it is probably top-notch as well. I never felt that there were any weak links from the technical end or from the cast, everyone seemed on top of their game. The final major battle takes place back in Eastern Europe, on a city that is being risen in order to crash it back down to Earth, in Ultron’s plan to end humanity.

The Vision is a great character, even if he shows up to the party rather late.

The only fault I found in this film is a lot of the internal problems amongst the Avengers felt reused from the last film. It doesn’t feel forced, and it is still entertaining, but part of you might feel like we’ve done a lot of this in the previous film. But this is a very minor thing, in the midst of all the great characters and scenes. Plus, it gave Stark and excuse to don his Hulkbuster Armor, which is amazing to watch.

Some of the minor characters from the franchise get to enter the fray this time, or at least get a solid cameo in.

This movie is more than a worthy successor to the first film, with all the characters coming back and doing all the things they do best. Hulk smashes, Thor hammers, Hawkeye and Black Widow show off their skills, Captain America gives some speeches, and Tony Stark throws out some clever lines and kicks but as Iron Man. However, what makes this movie even better in some ways is the addition of Quicksilver and Scarlet Witch, who both bring a lot forward to this film, and Ultron is easily one of the best villains in the Marvel universe so far, with the exception of possibly Loki. In short, if you loved the Avengers, you will almost certainly love this movie too.

Good:

-Ultron is a great villain

-Quicksilver and Scarlet Witch were done right.

-Hulkbuster armor.

-Joss Whedon’s gift of creating all those little moments that make his works great.

Bad:

-Some of the conflict between the Avengers themselves feels redone from the last film.

Scully Rating: 9.5 out of 10

Game of Thrones (Season 4)

Zach Goodier

Another season of my favorite show just ended its run on HBO, so it’s time to give it a review.  Did season 4 keep the awesomeness that is Game of Thrones at its well-deserved place as my #1 favorite show on TV?  Let’s discuss that…  **SPOILERS** (Obviously).

Season 4 starts out with one of the saddest scenes I have ever watched.  Tywin Lannister is having Ice, Eddard Stark’s ancestral sword, a blade that has served the Starks for 1,000’s of years, melted down and reforged into two separate blades.  The music, the lighting, everything just reflects the tragedy, and reminds the audience of the end of an era.  With the loss of Robb Stark, and the end of the Northern Rebellion, it seems the Lannisters have secured their hold on the Iron Throne, with Stannis still trying to recover from the Blackwater, there is nobody left militarily to oppose them.  However, the Game of Thrones never truly ends, and it’s never over until it’s over, and this season drives that point home more than any other.

 

This whole scene gave me feels... bad feels.

In the north, Roose Bolton has secured the title of Warden of the North, but he has almost no actual control over the North.  The Greyjoys hold Moat Cailin, and in doing so, are keeping Roose’s army trapped below the Neck, and unable to actually  enter the lands he supposedly holds.  The rest of the North is in disarray, between the loss of Robb and the invasion of the Ironborn, the North faces aggression on multiple fronts without a Stark to lead them for the first time in recorded history.  Theon Greyjoy (AKA “Reek) is now a member of the Bolton household, and his tragic loss of identity is truly complete this season, as he shows his Stockholm-driven loyalty to his captors.

Yup. Dany still has dragons.

For Dany, this season is a test of her ability to rule, as she attempts to settle down in Meereen and truly rule for the first time.  She will finally start to understand that ruling is not as easy as it seems, with difficult decisions and realizing that her conquest, even in the best of hopes, has a lot of collateral damage, not only to the city itself, but to the lives of the people who live there, both during and after the conquest.  Dany’s always been a character I found to be a rather naïve one, but this season really addresses that, and challenges her convictions to their very core, much like Robb in season 3.  Her relationship with her oldest friend, Jorah Mormont, will also be pushed to the limit as old allegiances are revealed.

Meereen, Dany's next challenge.

Arya is another interesting character this season, as you start to see her transition into a true killer.  Her first kill at the end of last season, but it’s this season that you start to see Arya truly become a killer.  Her relationship with the Hound is also brilliant, providing a nice dynamic between the relatively innocent girl, and the heartless beast, but all the while they almost share a disgust with everyone else, and a melancholy that really brings the two closer together, even if Arya still wants the Hound dead.

Meet Oberyn, one of the best characters of the season.

Jaime and Tyrion really knock it out of the park this season, but perhaps one of the greatest characters in King’s Landing is a new face: Oberyn Martel.  Prince Oberyn is on a quest to exact vengeance for his sister’s murder at the hands of the Mountain, under orders of Tywin Lannister.  Oberyn is an exciting character, giving the Lannisters a dangerous foe who walks beside them in King’s Landing.  While his role wasn’t all it could be, it gives us a reminder that there are still other powerful people in Westeros, and many of them are opposed to the Lannisters who many see as usurpers.

This is where I saw Peter win another Emmy. True story.

One of the biggest highlights this season is another full-episode battle at the Wall, with the Night’s Watch fighting off the Wildling army.  In many ways, this battle really outdoes the Blackwater, with hordes of on-screen fighting with relatively little CGI, aside from the Wall itself.  Many characters really stand out, and while not all of them are still standing by the end, many go out in the right fashion to make you proud.

Bravos, we expect to see more of this city next season, but we get a brilliant intro this season.

The finale is one that is going to be talked about for a long time.  While it might not have the impact of the now infamous Red Wedding, this is in many ways the twist that we all have wished for.  Not going to go into specifics, but it was definitely a twist that will define the entire show from here onward.  Like the Red Wedding, the finale redefined Westeros, and left a void in the series that seems almost impossible to fill.  Even so, the story will keep us coming back, eager to experience more of this epic story of deception, betrayal, survival, and the desperate pursuit of justice.

Arya and the Hound need their own spin-off series.

Season 4 is in many ways a reminder that this series is far from over.  While season 3 ended things in a way that felt like the end of an era, this season really reminded us that this is far from over, and even the strongest house in Westeros is by no means untouchable.   The only real disappointment for me was the lack of Lady Stoneheart, which I won’t delve into very much here, other than saying her inclusion in the finale would, like the books, add a very jaw-dropping moment to top off everything that happened, and it would really help validate that whole “The North Remembers” thing that many of us (myself included) have been whispering under our breath.  Still, this season continues to turn up the heat, and keep us all guessing which characters are destined to die, and which will advance in their quests.

Good:

-Epic story keeps on being epic.

-Lot of standout moments for several characters.

-Unpredictable, edge-of-your-seat action, with lots of twists and turns to keep the story engaging

-Brilliant combat scenes, particularly the Mountain and the Viper.

Bad:

-Just for the sake of having some geniune criticism, this season really deviates from the source material in certain areas.  While it usually works just fine with the story, it does create some conspicuous moments that might challenge the loyalty of books fans.

Scully Rating: 9.9 out of 10

GAME OF THRONES MEDLEY (Monster, Roar, Demons, & Titanium Parody)

Zach Goodier

While we work on some fresh stuff, here's a fun video based on Game of Thrones. We're all fanatics, here, so we're still filling the Thrones-sized hole that now exists in our lives now that season 4 is ended.  Speaking of season 4, I will have a review of it up later this week, so stay tuned.

Game of Thrones (Season 3)

Zach Goodier

In anticipation of the end of Season 4 tomorrow, I figured I better make sure I’m up-to-date on our GoT reviews before reviewing the entirety of Season 4.  So here’s our season 3 review, obvious ***SPOILERS*** included.

If you give an aspiring Queen an army... She's going to want a throne to go with it.

As we left off in Season 2, Dany is learning to become more assertive, and with the help of Jorah is becoming more of a queen every day.  Back in Westeros, The war is dragging on, as Robb continues to win on the field, but starts to have trouble amongst his own ranks.  Further south, the Lannisters still hold King’s Landing, but are struggling to contend with continuing opposition, and even their allies are out to undermine them.  Stannis, still reeling from the Battle of Blackwater, licks his wounds, and struggles to keep himself in the game, despite being the rightful heir to the throne.  And north of the Wall, the Night’s Watch struggles to contend with the White Walkers, as well as the savage Wildlings.  All in all, the struggle for the Iron Throne, and the dangers to the far north, are only escalating.

 

We really get to know more about the Wildling clans this season.

For Dany, the season is all uphill, with her dragons, as well as her growing reputation, she starts to become more of an actual leader this season.  Her cause of liberating the slaves gives her a sense of nobility, and her charisma is almost as potent as dragonfire.  However, I found the season for Dany to be somewhat less interesting than the other storylines, particularly after she obtains the Unsullied army.  Ser Barristan Selmy appears again, adding some new life to Dany’s story, as well as returning a favorite side-character of mine to the show again.  Towards the end of the season her story picks up again, with the siege of Yunkai and the introduction of the character of Daario.

Mance Raider, the King Beyond the Wall.

For Robb, the season is full of frustration, as he keeps trying to engage the Lannisters, only finding they have fallen back, murdering and pillaging everything they can along the way, leaving dead northerners behind at Harrenhall in order to further frustrate Robb.  Following his mother’s betrayal by setting Jaime Lannister free, Robb starts to struggle with the difficult position of not killing Jaime, and the resentment fostered amongst many of his supporters for it.  The growing tension amongst his own ranks gives Robb no end of difficulty, and things come to a head later in the season when one of his lords outright violates Robb’s orders and takes matters into his own hands.  While I sympathize with Robb’s problems, I believe his approach was far too soft, and that his lords are right to question his ability when Robb could lose his father, and see the bodies of murdered Northmen and still not exact vengeance for those loses.  It makes Robb start to lose face, and altogether lose the support of his own men.

Robb has an increasingly difficult season, trying to find justice in a world without mercy can be very difficult, and the enemies never play fair.

Since I mentioned Jaime, I should say that this is really Jaime’s breakout season, as he struggles to get back to King’s Landing to return to his beloved Cersei.  Despite the disturbing nature of his incest relationship, Jaime really starts to develop as a character this season, really challenging some of the conceptions we’ve had about him from the beginning of the series.  He doesn’t necessarily redeem himself, but he certainly does a good job of walking a fine line between hero and villain in the story, especially in a bath scene with Brienne where to tells the story of how he killed the Mad King.  I won’t spoil details, but it’s a standout scene where he really starts to open up, and we finally see the man underneath the armor.

Jaime doesn't have a very good season... But it's at his lowest that he really starts to shine.

Jon Snow is struggling to survive north of the Wall, and Ygritte proves to be one of his greatest challenges yet, in more ways than one.  She challenges Jon, and helps validate the warning Aemon gave to Jon way back in season one.  This really starts to give some complexity to Jon, who now faces the cruelty of his own vows.  While I left off after season 2 believing that the White Walkers were finally on the warpath (I hadn’t started reading at that point), there really isn’t that much about them this season, aside from a significant role later on when we finally find out that they do have some sort of weakness.

Robb's allies and relatives, the Tully's.

The most discussed moment from season 3 is without doubt the Red Wedding.  I won’t go into it in this review, besides mentioning that it is one of the greatest twists/shocking moments of television history.  It’s not just the event itself, but the brutality of it all, as you are reminded that this world and story takes no prisoners.  If you’ve seen it, then you know just how brutal it all is, even making changes to the story to keep things fresh and exciting for even those that have read the books.

Ygritte is Jon Snow's biggest test yet.

Overall, season 3 keeps the trend going of turning up the dial, throwing twists and turns your way, all the while fooling you into believing you have this show all figured out.  It’s this tightrope walk between defying expectations and still giving the audience something to go on.  It’s a dangerous line that few shows have ever thought to walk, and none have successfully done.  George R. R. Martin has earned a reputation as a literary sadist in the way he writes, but if this story was only about “bad” guys winning, it would still fall into the same predictable patterns as any other show.  It’s not knowing where or when the twists will come that keeps this show so interesting, and the depth of character makes it all stay fresh and exciting, never formulaic or dull.  Like the rest of the show, the complexity and depth make it all so incredible to watch, and a masterpiece in modern television.

Good:

-More incredible story and characters, some new, mostly old.

-More twists and turns than you know how to cope with.

-A continually rich, visceral world that captivates with its scale, intrigue, and utter brutality.

Bad: 

-Not really a bash on the show… but ‘dem feels, bro.

Scully Rating:  10 out of 10

A Game of Thrones: The Board Game (2nd Edition)

Zach Goodier

This board game sets 3-6 players in the world of Westeros, playing as the major houses competing for control of the 7 kingdoms.  Favorites, such as houses Stark, Lannister, Baratheon, and Tyrell, all appear (except for house Targaryen, since they don’t reside on the same continent at this point) in this faithfully adapted strategy game.  Houses all compete for influence, which they can acquire by consolidating the regions they control.  This influence can then be spent to help the Night's Watch, or to bid to become the dominant house in King's Landing.  However, houses must also keep up with armies, and the supplies needed to maintain them.  The game only lasts 8 rounds, as players struggle over control over the various castles and strongholds, as well as bid on various influence tracts to gain slight advantages in various categories, all to hopefully take control of the Iron Throne.

Here's the full setup, if you've never played, then I'm sure you're probably reeling at the complexity of it all.  However, if you're fan of the franchise, and don't mind a learning curve, then the rewards are well worth the effort.

Right from the start, this game is intimidating.  It’s complex, and requires an extensive learning curve to figure out.  Fortunately, some of the mechanics are optional, making the game somewhat easier to pick up, but it’s still a toughie.  However, I must say that what you get after that steep and head-crushing (Season 4 pun intended) learning curve, is a game that allows players to truly feel like the lords of Westeros.

As you can see, the board can get very busy, which is part of the inherent difficulty in picking this game up and getting it all down.  It will likely take a couple game before it all makes sense.  Reading the manual is like reading a GRRM book in itself, by board game standards.

Each house really feels authentic, with Houses like Stark starting out with larger territories and better positioning, but with fewer supplies, which limits the size of your armies, while houses like Lannister have no problem keeping ample supply lines to marshal larger armies to dominate the continent, but contend with potential enemies on many fronts.  Navies are also important, and houses like Greyjoy start out with plenty of ships to move troops around the western coast at their leisure, giving them more troop mobility than other houses, but their low supplies and little control on the mainland mean they have to fight hard just to expand their initial foothold.

Influence tracts (above) allow houses to bid, and by leading in influence, you can move before other players, decide ties, and use special orders that grant bonuses to whoever receives them.

Battles are relatively simple, with units each having assigned battle strengths.  Infantry have 1, cavalry 2, and siege engine are 4 when attacking a region with a castle or stronghold, otherwise they only count as 1.  You can include the Tides of War cards, which we didn’t do, that can really affect how battles play out, allowing for smaller armies to potentially devastate larger ones.  You can only muster new forces when an event card prompts it, and supply counters are only adjusted when a resupply event is drawn at the start of the turn.  This all means that players can never be certain when or if they will be able to gain new troops, and the supply track may not change for a while, whether you gained or lost resources.  This can all be a 2-edged sword, with some houses eagerly awaiting fresh troops while others are thanking the Old Gods and the New that their enemies aren't getting the fresh troops needed to push forward.  It's really all luck of the draw, but if you skillfully use your forces, you'll have a major edge by not depending on the luck of the draw to defeat your enemies.

Each house has a different color, but these are the shapes of units.  Siege engines, infantry, fleets, and cavalry.  I'm sure you can figure out which is which.

The biggest game changer for battles, however, is house cards.  Each house has its' own small deck of cards, which consist of prominent characters from the house, or who support it in some way.  House Stark has Ned, Cat, Robb, Greatjon Umber, and other important figures.  Baratheon has Mellisandre, Stannis, and others.  These cards can add combat strength when played, and can often use text abilities to manipulate the tides of battle by negating other abilities, or negating combat strength.  This is how battles can surprise players, and large forces may find themselves victims of smaller ones. 

The numbers at the top left indicate the combat strength the card adds to your forces when played.  Some of the House Cards have swords at the bottom, which mean that the card will result in however many casualties as there are swords, towers negate swords, and other cards have text abilities that can affect the battles in various ways.

The easiest way to win is to hold 7 castles or strongholds; otherwise, after 8 turns, you tally up the scores of supplies, armies, etc.  And the house with the highest score is deemed the winner.  Since there can only be one winner, houses that support the winner really don’t win at all, so if your partner wins, you don’t get a consolation prize.  “When you play the game of thrones, you win or you die, there is no middle ground.”

At the bottom, from left to right, is the round tracker and Victory tracker, Supply tracker (as well as how many armies of what sizes your current supply level allows), and the influence tracker.  On the upper part of the track is the Wildling Tracker, and if it gets too high, it can cause troubles in Westeros, demanding all the houses shift their focus to quelling the threat.

Overall, this is a complex game of intrigue, strategy, and domination.  Houses may have different strengths, but all need to work on these elements to compete for the Iron Throne, and the experience is truly worthy of the name it bears.  However, the hefty learning curve can really set you back at the initial pickup, and the intricate nature of this game means that you really can’t enjoy this with most casual board gamers.  This is meant for die-hard fans of the franchise, people who can’t get enough of it, and want to take on the roles of their favorite houses (except for the Targaryens) and battle it out for the Iron Throne.  On that note, it's all worth it.  The game really makes you feel like a lord of Westeros, and the tense relationships with the other players can foster alliances or cause bitter rivalries.  And the limited number of turns means that you can never really settle down and be too patient, forcing players to resort to more assertive tactics to control the Iron Throne.  The game requires a certain balance between patience and assertiveness, challenging players to neither work too fast, nor too slow.  The right balance is impossible to know, because player skill is only part of this, with random events making the game unpredictable enough to the point where even the smartest, most cunning player isn't immune to major setbacks.  The game is far to complex to fully explain here, the only way to learn it is to pick it up and throw yourself into it, it all makes sense but takes a while to wrap your head around.

Good:

-Really captures the feel of each house, and makes the experience feel like a faithful adaptation.

-Plenty of depth in game-play to make replay value high.

-Chance to rewrite Westeros history.

-Brilliant artwork on all around.

Bad:

-Very large learning curve, making initial pickup very difficult.  Plus, there are a lot of pieces to keep track of, making setup and cleanup a somewhat lengthy process.

-No Targaryens.  It makes sense in terms of playing solely on Westeros, but a great number of fans will feel alienated without their favorite house.

Scully Rating: 9.2 out of 10

Game of Thrones (Season 2)

Zach Goodier

(Note) The first paragraph contains most of the detailed spoilers, but there will obviously be a few around in the reviews, so be warned. 

*Season 1 spoilers*

With the rise of the new Lannister dynasty following the death of Robert Baratheon, and the revelation that king Jeoffrey is no true heir to the throne, there is now a civil war erupting over the Iron Throne.  Following the news of Jeoffrey’s lineage, Robert’s brothers, Stannis and Renley, each fight for the crown.  In the North, Robb Stark seeks to avenge his father’s murder and false accusation of treason against the crown, and to free the North from the Iron Throne, and become the first King of Winter in over 3 centuries.

*End Spoilers*

And remember, it does.

This season picks right up with introducing us to the contenders for the War of Five Kings, with an introduction to Stannis Baratheon, which we never had last season, as well as his “Red Priestess,” Melisandre.  Stannis’ “Hand,” Davos Seaworth, is concerned over the influence this woman holds over Stannis, and that leads to many interesting scenes in this season, as Melisandre constantly makes the audience wonder whether her intentions are truly in Stannis’ best interest, or if her unnerving magic is leading him astray.  Most of the other main characters are simply the ones we met last season, with a couple new additions of note appearing within the season.

  

Lord Stannis, King Robert's brother, and Melisandre, the mysterious "Red Woman"

The War provides a truly compelling element that we lacked in most of season one, actively pitting these characters against each other.  While season one contained a lot of politics and plotting, with a fight here or there, the war adds a military element to the game that keeps everyone on their toes.  While the Lannisters clearly have the other houses beat in terms of schemes and wealth, even their massive army isn’t invincible when contenders like Robb Stark and Stannis Baratheon prove to be very capable strategists.  Even at the end of the first season, we saw Robb prove himself a capable leader on the field. 

Davos is another addition, and a very relate-able and honorable man, despite his past.

Across the Narrow Sea, Dany is still struggling to recover from the end of last season, and her dragons (that’s right, she has DRAGONS now) are still too young to do her any good.  Still, Ser Jorah is at her side, guiding her and trying to help her back to power, but life is difficult without armies, wealth, or friends, so she has to strike out anew with her small band of followers to try to start over, which offers her a new perspective on the world and the importance of power and how it’s wielded.

Brienne of Tarth is another new face, and she place an important supporting role in the story.

In the north, the Night’s Watch moves beyond the Wall, to try to find out what threats lay beyond.  This journey takes most of the season, but we get a lot of added lore for the Night’s Watch, as well as some of the history and legends in the North.  The savage region is home to wildlings, and worse, as we’ve begun to see.  While this storyline seems to be isolated and not so important to the kingdoms, you quickly realize that these events are laying the groundwork for important events to come, and Jon Snow is forced to make some difficult choices.

Renly, Stannis and Robert's brother, has raised his own banners to take over Westeros.

This season is interesting, because the lines have been drawn, and the banners gathered, but clearly this is anybody’s game right from the outset, with nobody truly holding all of the cards.  Robb Stark and Renly Baratheon are certainly the most favorable men to lead of the group (both by the majority of the audience and by the majority of their subjects), but Renly lacks experience and the will needed to truly rule, while Robb lacks the soldiers and wealth that the other contenders have.  Tywin is certainly the favorite to win, with the deepest pockets, massive armies, and extensive experience in the field, but he finds himself with enemies at every front, and Robb in particular proves to be troubling for him because of his brilliant mind for both battle tactics and broader strategy.

"Impin' ain't easy."

After the end of season one, I wasn’t sure if I would continue to enjoy the series, due to how events played out in the story; however, I found myself still very much hooked, and characters such as Robb, Tyrion, and Davos, as well as some of the other new additions, actually manage to fill the void left after season one with much larger and stronger roles in this season.  Tyrion in particular becomes a standout character of the series, walking in a moral grey area where he isn’t a hero, but isn’t nearly as bad as his fellow Lannisters.  This, as well as Peter Dinklage and his excellent acting, actually make the show feel even better, somehow.

If there's one thing you need to know about GoT, it's that we HATE Joffrey... He is the Justin Beiber of Westeros, plain and simple.

The first season had a 10 rating from us, and season two, with its expanded visual effects, which you’ll see later in this season, truly adds to the sense of scale of this war, and just how dangerous the “game” has started to become, making the series even greater.  All of the storylines manage to progress at a natural, yet exciting pace, keeping the show well balanced between excitement and suspense, while not relying on action to keep those feelings going. 

Robb is in a tough position, but there's hardly a better man alive for the job than him.

If you have yet to pick up this series, or didn’t want to continue after season one, I would highly recommend you do so.  Despite the reservations even I had at some of the twists and turns this story took, the show still keeps going strong, getting even better in many ways, as I’ve already said.  As soon I started season two, I was hooked all over again, and for all the same reasons.  The story is original, suspenseful, exciting, and the twists and turns keep on coming.  While the raw and unrestrained elements definitely will alienate a sizeable part of potential viewers, as I’ve said of season one, it manages to entertain those who appreciate fan-service while adding to the brutal, dog-eat-dog feeling of the series as a whole.  Life in Westeros… well, everywhere actually… is brutal, and people survive however they can, and that’s one important element to this series that makes it feel original and unpredictable, and keeps people like me coming back for more time and time again.

Good:

-More excellent story

-Standouts like Robb and Tyrion, who have expanded roles from season one, as well as the extensive list of amazing characters that join them.

-THERE BE DRAGONS… even if they are still small.

-More twists, turns, and just plain awesome than you can shake a dozen sticks at.

Bad:

-Still a very RAW series, which doesn’t hurt my rating but should always be noted for potential viewers.

Scully Rating: 10 out of 10